In this colourful and gripping film, you can literally "smell" the pictures. Sometimes they are captivating, sometimes awful, but they are always fascinating. A great, great movie about sensuality, desire, greed... and the quest for love. Wonderful cast (even Hoffman is excellent!), wonderful music (and the score is not "too" present, which is a good thing), wonderful direction. 2 and a half hours may seem a long time for some, but not for the real sensualists. The story and the film may have their flaws, but they also have outstanding qualities and in a perfect world Tom Tykwer should receive an award for his superb adaptation of the splendid book by Patrick Süsskind.A must see. Or, should I say, a must "smell"!
'Sentiment: Positive 🙂'
I don't understand people who say this movie is dull, boring or bad. I guess these people are only into mindless action-movies with simple dialog where people get slaughtered in a brutal and visually gory way. If you have a mind and you are able to think, this movie maybe something for you. The characters in the movie are strong, you sympathize with them easily. It is upsetting why the main character is killing the girls, as it is actually unnecessary. The sceneries and costumes look great. I felt like I was there. The movie shows moderate violence, which is all just suggestive, you don't see any blood. I give this movie 8 points. It is a good movie, which I'd recommend to my friends.
'Sentiment: Positive 🙂'
Of course, (mercifully) we cannot smell what the Perfumer smells. In compensation we have hyper-real imagery, using stunning macro shots that are extreme close-ups in startling detail - the tiny hairs on a nose, the explosive splash of a single drop of essence falling into a pool. But more than the classic beauty was also the revolting beauty - maggots in a rat, the filth of the fishmonger, bad teeth, dirty hands - all in amazing, sometimes squeamish detail.This film could not have been made in Hollywood - it has a unmistakeably European flavor and is unflinching in the details of early 18th century France. The story of single-minded obsession and remorseless killing in the name of love by a nearly mute actor is mesmerising. And Dustin Hoffman's merry turn as a foppish Italian perfumer provides welcome comic relief!